Ñswe niiminwinan (3 dances) Maamawi (ᒫᒪᐏ) TOMO VR Indigenous video series

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MU
2023

Irihipeti Waretini & Bella Waru

Feb 13–18

On-demand

Indigenous video series

Bats, Moths & Centipedes—What we lose in the dark... is the debut short film collaboration of artists Irihipeti Waretini & Bella Waru. An art film articulating Māori visions through dance, moving portraiture and resonant sound, evoking and expressing how the makers experience and navigate the ‘Dark‘; Spaces of limitless potential, the unknown and the undefined. Bats, Moths & Centipedes is an exploration of the relatedness between us, our animal kin, our environment, our healing, our understanding of ourselves and one another. An insight into the learning and growth that is possible in listening to, witnessing and experiencing nature’s cycles and rhythms.

credits

concept, direction Irihipeti Waretini & Bella Waru

cinematography, sound composition Irihipeti Waretini

cast, movement, sound, costume Bella Waru

graphics Vader Fame

audio description Will McRostie

Irihipeti Waretini is of Ngāti Rangi descent, whose experiences of home and healing on the unceded lands of the Wurundjeri Woiwurrung and Boon Wurrung peoples, determines every aspect of her trans-disciplinary practice. A visual and vocal storyteller, Irihipeti’s mediums include contemporary Māori art, photography, film, soundscapes, live looping, and kōauau (traditional Māori flute). A community cultural development practitioner, Irihipeti curates repositories of Indigenous methodologies and experiences through various collaborations, creative ventures, movement and wellness based practises.

Bella Waru (Ngati Tukorehe, Te Ati Awa) is an eternal student of the creative, performing, healing and martial arts, living and listening on sacred Kulin lands in so-called-australia. Their languages span movement, music, spoken and written word, visual arts and relationality. Waru creates stories and spaces to uplift, protect and nourish the vitality of their communities, ancestors and lands, emerging from and returning to our bodies as vessels of personal, ancestral and earth memory.

↛ Sandra Lamouche